Wednesday, October 19, 2011

Prints now available!

I am happy to announce that as of now my photos may be purchased through RedBubble. Some might not yet be available, but I will be uploading more images in due course. If you are interested in purchasing a print which is not yet available please feel free to drop me a comment and I will arrange availability at the earliest.

Buy art

Thank you in advance for your support! If you have any questions please feel free to ask me anytime. I look forward to hearing from you

Cheers,
Sebastian

Tuesday, October 18, 2011

Indigo Sunset

Today's picture was taken from my office at sunset. It was a foggy morning that day so I had taken my camera to work, because I would love to get a shot of skyscrapers sticking out of the fog. Well, the skies cleared just before I reached the office so I turned to taking pictures of the sunset instead.

I recently purchased a set of Graduated Neutral Density (GND) filters from Lee Filters, specifically designed for use with my Nikon 14-24mm f2.8 wideangle lens. I look forward to using these in landscape photography, but also want to test their limits in architectural photography. I used a 0.6 GND filter in this pic and I think it worked out well.

If you have questions or would like to hear more details about GND filters and how they work please feel free to drop me a comment.


Here's the photo:

14mm, f13, 8s, ISO 400, Lee 0.6 GND filter

I only now realise I was using ISO 400. Whooops.... should have been ISO 200, of course.

Post-processing included the following steps:

Lightroom
  • Temperature: 4200K
  • Tint: +7
  • Exposure: 0.00
  • Recovery: 0
  • Fill Lights: 20
  • Blacks: 7
  • Brightness: +50
  • Contrast: +25
  • Clarity: +20
  • Vibrance: +10
  • Saturation: 0
  • Export to Photoshop
Photoshop
  • Apply Lens Correction Filter: Custom --> Vertical Perspective +2
  • Apply Spot Healing Brush
  • Apply Smart-Sharpen Filter: Amount 40%, Radius 1.3px
  • Save as TIF
CaptureNX2
  • Apply U-Points: Slightly increase the saturation of bronze glow on medium left tower and of green lights at the base of central tower
  • Convert to sRGB with perception based rendering intent
  • Save as JPG
Photoshop
  • Insert watermark
  • Save as JPG
Cheers,
Sebastian

Monday, October 17, 2011

Jumeirah Islands

Weather conditions are crucial for shots of the Dubai skyline. Other cities in the world might be picturesque in various conditions, but in Dubai all we have for most of the year is a slight shroud of mist and sand. Usually it is not even really noticeable, but once you take your camera and point it at the horizon frustration begins.

However, sometimes, just a few days per year in total, the skies clear off and it is literally possible to identify individually lit windows of Burj Khalifa from a distance as far as 20km. Recently there were two of these nights and I managed to go on a hunt for good skyline shots. The second night was perfect and I got the chance to shoot this wonderfully clear image:

66mm, f13, 30s, ISO 200

Once again I've learnt: No matter how good your equipment may be, if you want to shoot a nice picture of a land- or a cityscape it all depends pretty much on the weather.

Post-processing included the following steps:

Lightroom
  • Temperature: 3000K
  • Tint: +8
  • Exposure: 0,00
  • Recovery: 30
  • Fill Lights: 0
  • Blacks: 6
  • Brightness: +50
  • Contrast: +25
  • Clarity: +10
  • Vibrance: 0
  • Saturation: 0
  • Export to Photoshop
 Photoshop
  • Apply Healing Brush
  • Smart Sharpen Filter (Amount: 40%, Radius 1.3px)
  • Save as TIF
CaptureNX2
  • Apply U-Point to the blue-lit tower (Brightness: -10)
  • Convert to sRGB with perception based rendering intent
  • Save as JPG
Photoshop
  • Insert watermark
  • Save as JPG
Cheers,
Sebastian

Wednesday, October 12, 2011

Fundamentals of Night Photography

So far I have only provided a bunch of numbers and terms in this blog, without actually explaining any of the basic principles behind them. Many of you will already be taking pictures in RAW format and developing them in Lightroom, CameraRAW or any other software capable of handling RAW formats. I thought, for those of you who already got a fair grip on the fundamentals of photography such as ISO, aperture, exposure time and focal length, providing the workflow and the settings of my pics might give you a spark of inspiration for your own work.

However, I would now like to begin with explaining some of the fundamental principles related to taking a picture. Sure, you can find countless photography tutorials online, but I thought it wouldn't hurt anyone if I put it in my own words. I'll try to keep it simple.

From the technical point of view taking a photo crucially involves considering three interdependent settings:
  • ISO rate
  • Aperture (f-stop)
  • Exposure Time (also called shutter speed, but this term is technically incorrect)

Depending on which lens you use these three settings may also be influenced by
  • Focal Length (Wideangle or Zoom)

Now let's look at them in detail, shall we?


ISO

ISO refers to how sensitive the camera sensor will react to incoming light. The higher you set the ISO the more sensitive the sensor will be, allowing for a shorter exposure time and / or a higher f-stop (smaller aperture). I will explain these in more detail below. As for ISO it is most important to understand that using a high number will result in so called noise - a grainy texture all over the image. Usually you don't want that.

However, sometimes you may want to agree to a compromise. Let's have a look at this picture:


14mm, f2.8, 1/13s, ISO 1600

It is obvious that these friendly chaps would be blurred if I had used an exposure time of some 30 seconds. In order to make the most of the available light I changed ISO from 200 (my usual setting) to 1600. My camera can handle high ISO numbers quite well, provided there are no black areas in the picture. But if you can, always use a tripod for night photography and provided that the subject does not move, use a low ISO rate!


Aperture (f-stop)

Further to a high ISO I used an aperture of f2.8 in the above image which, in spite of the small number, is called a fast or open aperture. In this case it is even the "maximum" aperture of the lens. Usually I use something around f11 for architectural photography. But don't get confused by the terminology, I just wanted to mention it. In the future I will only refer to it as high and low "f-stop".

Now what's the effect of using a low f-stop like f2.8? The lens will allow for more light to come in at any given time, thus reducing the required exposure time! However, and this really is the essence of photography as such, a low f-stop will only produce a sharp image in the exact distance of the focal plane. In simple terms it means that only the object you have focused on will be sharp, anything in front of it or behind it will be somewhat blurred (the look of the blur is called "Bokeh"). In the above picture you will barely notice the effect, as it increases when using zoom lenses. Wideangle lenses hardly show this effect at all. I will not go more into detail about the reasons for this now, but I will show you an image which was taken at a focal length of 50mm with a low f-stop. It shows you what I mean by referring to the "focal plane":


50mm, f2.0, 1/8000s, ISO 200

Since low f-stops allow for shorter exposure times it comes very useful for handheld available light photography, for example taking pictures at a friend's party. What's more, low f-stops are a great thing to play around with when you take portraits! However, I do not recommend using low f-stops for architectural or landscape photography. Sometimes it might be useful, but usually you would want the whole image to be sharp. Therefore, use f11 or higher for taking pictures of buildings or landscapes. And don't forget to use an ISO as low as possible!

So what did we learn so far?
  • Use low ISO, if possible
  • For architecture and landscapes use a high f-stop (e.g. f11)

Exposure Time

If you could follow my explanations thus far you might now want to ask: "But what about the exposure time if I use low ISO and a high f-stop!?"

Well, that's a very good point! Let me tell you: For architecture and landscapes it is the least (and last!) thing to worry about - provided that you have a tripod! Go buy one now, if you don't already own one.

The longest exposure time you can set for any DSLR camera is 30s. I make use of that very often. As a matter of fact, most of the pictures I take range between an exposure time of 20 to 30 seconds. If you want to use longer exposure times you will have to set the camera to "Bulb" mode and use a remote shutter release. But for any kind of "normal" photography this is not required.


Summary

So what exactly should you do when you go out shooting architecture at night?
Here's my recipe:
  1. Make sure you shoot in RAW format so you can edit the image far better than in JPG format (my wife tends to use JPG for taking pictures of the kids and quite a few times I had forgotten to check on this setting before going on a photo tour around town - a bit frustrating!)
  2. Make sure ISO is set on 200 (or lower)
  3. Make sure you have picked an f-stop between f8 and f13
  4. Now check the display to see how long you will have to expose in order to get a nice picture. Anything below 30s goes!
  5. If the picture appears to be underexposed at 30s, use a lower f-stop, but try to keep it at f8 or higher. However, wideangle lenses can be used with f-stops as low as f4 (roughly) without showing too much blur.
  6. If even that does not work, go back and cautiously increase ISO.

Addendum: Focal Length

As I mentioned before, depending on the lens the settings of exposure time, ISO and aperture may be influenced by zooming. Lenses show information written on their barrel. One example:

Nikon 18-200mm f3.5-5.6

Looks terrible at first, doesn't it? Don't worry, it's not rocket science. This is just a lens which can be used at focal lengths ranging from 18mm (wideangle) to 200m (zoom). "f3.5-5.6" indicates the lowest possible f-stops within that range. Lenses offering the use of low f-stops are called "fast" lenses. The above lens is not very fast in that sense.

This particular lens enables f3.5 as the lowest f-stop at 18mm and for zooming in to 200mm the lowest f-stop changes to f5.6. This mainly happens due to the lens getting longer, thus making it harder for the light to reach the end of the tunnel (that's how I imagine it anyway). So when you set up perfect settings for 18mm, but then decide to zoom in to 100mm, your image will become underexposed!

This, however, depends on which lens you use. I am now a proud owner of a Nikon 24-70mm f2.8 lens. It is quite fast, but what is even better: The lowest possible f-stop stays the same all the way from 24 to 70mm! Nice.

That's it for now, folks! I hope I could give you some useful information. If you have any questions, please just drop me a comment! I'll be happy to help.

Further information about my photography:
Cheers,
Sebastian

Tuesday, October 11, 2011

Al Qasr View

Having mentioned the Madinat Jumeirah in my previous post I thought it might be a good idea to show you an image I recently took from there. I'm sure you will recognise how beautifully this place has been designed and landscaped. The Madinat is definitely one of my favourite hangouts in Dubai.

"Madinat" is the Arabic word for "Town" and I do think you can truly call this place a town within the city. Three luxurious hotel resorts are spread out in a dreamy setting of lush greenery, lovely waterways and an apparently traditional Souk. One thing which really astonishes me is how they've managed to create an atmosphere of tradition, heritage and serenity - in spite of the fact that every square inch of this place is artificial and a blend of various architecural stlyes. You would expect a place like this to be prone to being cheesy and just terrible. But strolling through the Madinat is actually a truly wonderful experience!

I took the following picture from the terasse behind the main entrance lobby of the Al Qasr Hotel. In my opinion they serve the best Mojito in town, so if you visit make sure you don't miss out on that! I received some strange looks by the staff for setting up my tripod there, but oh well... where in Dubai would it ever be possible to use a tripod without being told that professional cameras are not allowed. Any tourist can happily fill their SD cards with thousands of images throughout the day, but if you dare taking long exposures at night - for which you obviously need a tripod - you will instantly find someone telling you that "professional cameras" are not allowed. Come on, I am just taking the same snapshot as those dozens of people earlier today! The only difference is that I need to use a tripod to compensate for the long exposure time!

There must be some sort of mental thing going on in these people's heads, triggered by the view of a tripod.

Well, back on track. I was just happy to be left alone for once and didn't care about the looks I received. After all, I'm there to take pictures. And, of course, to have a Mojito or three.

I shot this picture with my Nikon 14-24mm f2.8 lens on the D700.

24mm, f11, 30s, ISO 200

Post-processing included the following steps:

Lightroom

  • Temperature: 2750K
  • Tint: +8
  • Exposure: -0.30
  • Recovery: 40
  • Fill Light: 0
  • Blacks: 5
  • Brightness: +50
  • Contrast: +25
  • Clarity: +20
  • Vibrance: +14
  • Saturation: 0
  • Export to Photoshop
Photoshop
  • Apply Spot Healing Brush
  • Slightly crop the original
  • Apply Smart-Sharpen Filter: Amount 60%, Radius 1.3px
  • Save as TIF
CaptureNX2
  • Convert to sRGB with perception based rendering intent
  • Save as JPG
Photoshop
  • Insert watermark
  • Save as JPG
Cheers,
Sebastian

Atlantis

The Atlantis Hotel is located on Palm Jumeirah Island and I never took any decent shots of it. But now a friend from DSLR-Forum told me about this photo location and showed me one of his pics - that convinced me I'd have to go there as soon as the weather would allow it. All these years I had been thinking that this spot was completely fenced in and not accessible, unless you would sneak in... Now I found out that you just have to park your car at the mosque and there it is, a vast open beach at the very tip of Palm Jumeirah just opposite the Atlantis Hotel. Cool!

The Atlantis Hotel is the icon, the landmark of Palm Jumeirah. However, I personally don't really like it. If you walk in you will recognise that it is actually one of the few places in Dubai where you can see and breathe the artificiality of its existence. Most hotels actually do a great job at creating an atmosphere of heritage and consistency. They would make you believe their place had long existed. Madinat Jumeirah and The One & Only Royal Mirage are great examples for this. Not so the Atlantis Hotel. It's so cheesy, Disney World would find it hard to compete! The interior looks just cheap compared to other hotels and yet the staff is the most stuck up throughout Dubai.

Well, let's not get carried away. The exterior looks splendid, I do admit. Still a bit cheesy, but certainly an eye-catcher. For this photo I used my Nikon 24-70mm f2.8 lens and again aligned it to the horizon in order to eliminate geometric distortion.

The image is a slight crop of the original.

45mm, f8, 30s, ISO 200

Post-processing included the following steps:

Lightroom
  • Temperature: 2800K
  • Tint: +10
  • Exposure: 0,00
  • Recovery: 30
  • Fill Light: 20
  • Blacks: 7
  • Brightness: +50
  • Contrast: +25
  • Clarity: 15
  • Vibrance: 0
  • Saturation: 0
  • Export to Photoshop
Photoshop
  • Apply Spot Healing Brush
  • Apply Smart-Sharpen Filter: Amount 60%, Radius 1.3px
  • Slightly crop the original
  • Save as TIF
CaptureNX2
  • Apply U-Point to upper right corner of the image (it was comparatively dark due to bright moonlight coming from the left): Brightness +10
  • Convert to sRGB with perception based rendering intent
  • Save as JPG
Photoshop
  • Insert watermark
  • Save as JPG
Cheers,
Sebastian


Monday, October 10, 2011

Boat Parking

In order to get this Blog moving I will start with posting a photo I took yesterday at Dubai Marina. It was a wonderfully clear night and also the temperatures here in Dubai are slowly coming down to an acceptable level. It was some amicable 29°C last night. Yay...

The image below was taken with my Nikon D700 and a Nikon 14-24mm f2,8 wideangle lens. What a marvellous piece of glass that is... expensive, but simply perfect quality.

In order to avoid any geometric distortion I pointed the camera straight at the horizon (so that the horizon is in the middle of the picture). I then slightly cropped the upper and the lower parts of the image which gives it this Panorama look.

14mm, f13, 30s, ISO 200

Post-processing included the following steps:

Lightroom
  • Temperature: 2900K
  • Tint: +10
  • Exposure: 0,00
  • Recovery: 40
  • Fill Light: 15
  • Blacks: 6
  • Brightness: 50
  • Contrast: 25
  • Clarity: 25
  • Vibrance: 0
  • Saturation: 0
  • Export to Photoshop
Photoshop
  • Apply Spot Healing Brush
  • Crop Image
  • Apply Smart-Sharpen Filter (Amount 60%, Radius 1,3px)
  • Save as TIF
CaptureNX2
  • Apply U-point to central part of the image, slightly darken this very light area: Brightness -10
  • Convert to sRGB with perception based rendering intent
  • Save as JPG
Photoshop
  • Insert watermark
  • Save as JPG
May be this gives you some new ideas for your own post-processing. If you have any questions always feel free to ask!

Sunday, October 9, 2011

Welcome to my Blog


I have set up this blog in order to give more background information on the pictures you will find on AblazeWithLight.com and to introduce my personal way of post-processing images, especially long exposures. I will also give general information about photography and I will as well let you participate in the new techniques I learn along the way. Because I'm always crazy about getting the most from what I see and I try to learn new things about photography every day. I hope you might also be interested in getting some new insights into the wonderful art of photography!

So shall we begin? If you ever have any questions, ideas or comments please let me know! I look forward to hearing from you.

Cheers,
Sebastian